Solo Exhibitions |
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2019 |
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2016 |
Silver Sun Supernova, Cooper Design Space w/ Annie Wharton Art Consulting, Los Angeles, CA |
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Silver Sun Afterglow, Nancy Toomey Fine Art, San Francisco, CA |
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Between Light and Half Light, Thelma Sadoff Center for the Arts, Fond du Lac, WI |
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2015 |
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2013 |
Little River Mashup, Los Angeles International Airport, Los Angeles, CA |
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2012 |
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2010 |
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2009 |
Dewdrop Cloud Machine, Diana Lowenstein Fine Arts, Miami, FL |
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Dewdrop Redux, Art Gallery @ Long Beach City College, Long Beach, CA |
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2008 |
And Further the Dewdrop Falls, MOCA Jacksonville, Jacksonville, FL |
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2007 |
Lost in Space, Guggenheim Gallery, Chapman University, Orange, CA |
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2006 |
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fern space blast, Sonoma County Museum, Santa Rosa, CA |
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white white mayday in mustard and gold, Raid Projects, Los Angeles, CA |
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2005 |
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2004 |
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2003 |
Fault Lines, Windhover Center for the Arts, Fond du Lac, WI |
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Linkage: An Installation by Chris Natrop, Melting Point Gallery, San Francisco, CA |
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2001 |
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Group Exhibitions |
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2020 |
Beauty in Lockdown: Nature Reimagined, Nancy Toomey Fine Art, San Francisco, CA |
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2019 |
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Neoteric, Golden West College Art Gallery, Huntington Beach, CA |
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Cut Up/Cut Out!, Foosaner Art Museum at the Florida Institute of Technology, FL |
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2018 |
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2017 |
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Zuni Cafe Spring Show, Heather Marx Art Advisory, San Francisco, CA |
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With Liberty and Justice for Some, Walter Maciel Gallery, Los Angeles, CA |
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2016 |
2016 Show, curated by Mona Kuhn, The Billboard Creative, Hollywood Blvd and Normandie, L.A. |
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Fata Morgana, Antelope Valley College Art Gallery, Lancaster, CA |
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Half Light Singularity, Jolly Night at the Races, The Old Marijuana Factory, Los Angeles, CA |
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Paper as Art, U.S. Department of State, Harry S Truman Building, Washington, D.C. |
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2015 |
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Fiberlicious, Los Angeles Municipal Art Gallery, Los Angeles, CA |
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45 North Squared, Thelma Sadoff Center for the Arts, Fond du Lac |
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2014 |
Fold, Paper, Scissors, Mesa Contemporary Art Museum, Mesa, AZ |
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Obsessive Reductive, San Francisco Museum of Craft and Design, San Francisco, CA |
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2013 |
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2012 |
Original Copy: Contemporary Printmakers, Traditional Techniques, Cypress College Art Gallery, Cypress, CA |
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2011 |
9-11 Show, Pierogi, Brooklyn, NY |
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2010 |
Salon No. 4, Works 092 - 140, Marine Art Salon, Santa Monica, CA |
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2009 |
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infinity, Scion Installation Space, Culver City, CA |
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CUT: Makings of Removal, Wignall Museum, Chaffey College, Rancho Cucamonga, CA |
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Under the Knife, The Armory Center for the Arts, Pasadena, CA |
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2008 |
CUT: Makings of Removal, Vincent Price Art Museum, East Los Angeles College, Los Angeles, CA |
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UpCycling: Recuperating Past Lives, A+D Museum, Los Angeles, CA |
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Party Favors, Bonelli Contemporary, Los Angeles, CA |
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Raw Boundaries, KN Gallery, Chicago, IL |
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Holland Papier Bienniale 2008, Museum Rijswijk/Coda Apeldoorn, The Netherlands |
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Possible Impossible: Six Artists at the Brink of Abstraction, Center for the Arts, Eagle Rock, LA, CA |
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2007 |
Around the Pool, Florida State University Museum of Fine Arts, Tallahassee, FL |
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Drawn Out, Sam Francis Gallery, Crossroads School, Santa Monica, CA |
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Behind Clossed Doors, Tahoe Gallery, Sierra Nevada College, Incline Village, NV |
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Laced in History, John Michael Kohler Arts Center, Sheboygen, WI |
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2006 |
Pause, Blackbird Space, Miami, FL |
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PAPER: First anniversary group exhibition, Skestos Gabriele Gallery, Chicago, IL |
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Inner Spaces / Outer Limits, Walker’s Point Center for the Arts, Milwaukee, WI |
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Drawing Group Show, Mor York Gallery, Los Angeles, CA |
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2005 |
Interjacent, I-5 Gallery, Los Angeles, CA |
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Excavating Realities: Darlene Charneco and Chris Natrop, Mixture Contemporary, Houston, TX |
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Cross Pollination, Santa Rosa Museum of Contemporary Art, Santa Rosa, CA |
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2004 |
BIG, Toomey Tourell Gallery, San Francisco, CA |
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Close Calls: 2004, Headlands Center for Arts, Marin Headlands, CA |
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2003 |
Placebo, The Canvas Gallery, San Francisco, CA |
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PERF, Kunsthaus Tacheles, Berlin, Germany |
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Visuri Bucati 2, Museul de Arte, Brosav, Romania |
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New American Artists, Galleria Ruggieri, Genoa, Italy |
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X-Zincografia-Open Space, Venice, Italy |
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Split Dreams, 473 Broadway Gallery, New York, NY |
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Visuri Bucati, Romanian Literature Museum, Bucarest, Romania |
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VERNLAND, Sonoma Museum of Visual Art, Santa Rosa, CA |
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2002 |
Order Bipolar, Melting Point Gallery, San Francisco, CA |
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ReOrganica: An Evolving Exhibition, Soap Box Gallery, Venice, CA |
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Centering: Ancient and Contemporary Expressions of Sacred Art, SMOVA, Santa Rosa, CA |
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New Work from Five American Artists, Arte Contemporanea Genova, Genoa, Italy |
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2001 |
Re: Duchamp Project, Istanbul Biennial, Istanbul, Turkey |
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Landscape Group Show, BACCA 1010, Berkeley, CA |
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Press & Media |
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2019 |
David Handschuh. Hogan Lovells Prepares for Move Into 'Bold' New Manhattan Office. New York Law Journal. Mar 28, 2019 |
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2018 |
Roberta Carasso. LAND (review) Art Scene. March, 2018 |
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Evan Senn. Art and Cake. LAND at Irvine Fine Arts Center. Jan 26, 2018 |
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Dave Barton. OC Weekly. LAND at Irvine Art Center. Jan 25, 2018 |
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2017 |
Michael Upchurch. ‘Cut Up/Cut Out’ surprises with art on the edge. The Seatle Times. July 14, 2017. |
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2016 |
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2015 |
Edward Goldman. KCRW Art Talk. An Exhibition that Happily Shreds Its Prime Material. Nov 10, 2015. |
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Deborah Vankin. L.A. Times. On Craft & Folk Art Museum’s golden anniversary, ‘Paperworks’ is a cutting-edge gift. Oct 9, 2015. |
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2014 |
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2012 |
____. Portland Press Herald. Chris Natrop Lily Ponder. Sep 5, 2012. |
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2011 |
Yasmine Mohseni. Beyond the White Cube. Chris Natrop, Installation Artist. September 20, 2011. |
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2010 |
____. BEAUTIFUL/DECAY. B/D’s Best of 2010- Cut Paper, Part 1. June 24, 2010. |
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Peter Frank. Blague d’Art: LA Gallery Array in May. Huffington Post. May 2010. |
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Shana Nys Dambrot. Chris Natrop: myopic spring tangle. Flavorpill. Apr. 2010. |
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Heather Taylor. Interview Taylor Made: Upcoming exhibits at Culver City art gallery Taylor De Cordoba bring two |
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2009 |
Edy Pickens. Review: Scion: Infinity. dailyserving.com. Oct 2009. |
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Christopher Michno. Holey Sheet: Paper goes under the knife, er, scissors for the “Cut” art show. Inland Empire Weekly Oct 2009. |
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Sara Marie Miller. Journal of the Southern Graphics Council. Dewdrop Reflex: Interview Artist, Chris Natrop. Winter/Spring 2009. |
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Scarlet Cheng. Review: Under the Knife. THE: LA’s Monthly Magazine for the Arts. Aug 2009. |
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2008 |
Annie Wharton. Cut: Makings of Removal. THE: LA’s Monthly Magazine for the Arts. Nov 2008 p. 44. |
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Scarlet Cheng. The joy of paperwork. Los Angeles Times. Oct 26, 2008. |
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Elaine Lee. Paper Works. d+a magazine. Issue 042. 2008. pg. 58. |
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Kendra Dority. Goodbye Realism, Hello Abstraction. The Occidental Weekly. Feb.12, 2008. |
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Emma Gray. L.A. Confidential. Artnet.com. Jan. 2008. |
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2007 |
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2006 |
Holly Meyers. Works’ energy is just so L.A. (review). Los Angeles Times. Dec. 8, 2006. |
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Caryn Coleman. Interview: Chris Natrop. art.blogging.la. Nov. 1, 2006. |
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2005 |
New American Paintings, Pacific Coast Edition. Dec 2005. (juror: Connie Butler, MOCA LA) pgs. 3, 106-109. |
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Shana Nys Dambrot. Chris Natrop (review). Tema Celeste. No. 110 Jul-Aug 2005. pgs. 74-75. |
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Stephanie Cash and David Ebony. Front Page: SCOPE. Art in America. May 2005. p. 53. |
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Rebecca Epstein. Paper and Profound. LA CITYBEAT. Apr. 28, 2005. p. 54 (reproduction). |
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2004 |
Melissa Goldstein. Chris Natrop’s Material World. 7x7 Magazine. Apr. 1, 2005. pgs. 15, 35. |
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Lise Sarfati. Across a Crowded Room (uncredited photograph). New York Magazine. Aug. 23, 2004. p. 115. |
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____. Happy Art for a Sad World (review). The New Yorker Magazine. Jul. 26, 2004. p. 16. |
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“By Hand” Spark. PBS KQED Channel 9. San Francisco. Orig. air date: Jul. 14, 2004. |
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2003 |
Jamey Hecht. Natrop: Drawing with a Knife. NY Arts Magazine. Nov. 2003: p. 33. |
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Roberto Juarez. Split Dreams: Chris Natrop’s Strange and Beautiful Worlds. NY Arts Magazine. Sum. 2003: p. 55. |
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Lee Reinsch. Abstract exhibit examines nature’s bizarre qualities. Fond du Lac Reporter. Jul. 22, 2003. |
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Andrea Hansen. Artist Chris Natrop Exhibits Work. The Mayville News. Jul. 20, 2003. |
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Luiza Barcam. Visuri Bucati: Vern Exhibition in Romania. ArtMargins: Contemporary EuropeanVisual Culture. June 10, 2003. |
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2001 |
Daniel Rothbart. North Berkeley: A Hot Bed Still. NY Arts Magazine. Nov. 2001: pp. 12-13. |
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Education & Residencies |
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2006 |
Affiliate Artist, Headlands Center for the Arts, Saulsalito, CA |
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1994 |
Residency, Vermont Studio Center, Johnson, VT |
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1993 |
B.F.A. School of the Art Institute of Chicago, Chicago, IL Emphasis in Painting |
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Awards |
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2007 |
Pulse Prize, Pulse Art Fair, New York |
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1988 |
First-Year Merit Scholarship, School of the Art Institute of Chicago |
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Collections |
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Baker & McKenzie |
Morrison & Foerster |
Facebook, Inc. |
Jane Glassman |
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U.S. Consolate, Dubai |
Harry Winston, Inc. |
Hogan Lovells |
Microsoft, Inc. |
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The Capital Group |
Paula & Leonard Granoff |
Heather Taylor & Alex De Cordoba |
Giambattista D’Aste |
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Chapman University |
Irv & Gail Weintraub |
Peter & Densie McCorimick |
The Ritz-Carlton, Shenzhen |
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J. Johnson |
U.S. Department of State |
Susan Joyce |
Perla on Broadway |
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Public Commissions & Special Projects |
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2020 |
Perla on Broadway, Los Angeles, CA: 76 x 142 x 2" permanent site-specific sculptural wall-sculpture |
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Ox & Anchor Restaurant @ Hotel San Luis Obispo, permanent site-specific cut paper wall releif |
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2019 |
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Hogan Lovells 390 Madison Ave, NY, 720 x 120 x 1", permanent site-specific commission wall relief |
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2016 |
Facebook, Inc, Menlo Park, CA: 16 x 133' permanent site-specific cut paper wall releif |
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2014 |
Baker & McKenzie, Houston, TX: 52' permanent site-specific sculptural wall-sculpture |
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2013 |
Morrison & Foerster, AON Building, Los Angeles, CA: 16x5x5' permanent site-specific aerial sculpture |
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2011 |
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U.S. Department of State, Dubai Consulate: permanent site-specific sculptural wall-sculpture |
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2007 |
The Ritz-Carlton, Shenzhen, China: custom framed work |
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Catalogues, Essays, Monographs |
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2017 |
Mark Zuckerburg, Drew Benett, Natasha Boas. Open Form: Facebook Artist in Residence 2012-2017. pp 240, 253 – monograph |
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2015 |
Howard N. Fox. Paperworks at the Craft and Folk Art Museum, Los Angeles – exhibition catalogue |
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2013 |
Bibi Katholm. In Case We Don’t Die – exhibition catalogue |
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2011 |
Jaime Zollars. Push Paper. Lark Crafts. pp. 50-53 – monograph |
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Laura Heyenga. Paper Cutting: Contemporary Artists, Timeless Craft. San Francisco: Chronicle Books. 2011 – monograph |
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2010 |
Jean-Charles. l’art de la découpe. Paris: Éditions Alternatives. 2010. pp 42-43 – monograph |
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Marine Art Salon. 004 Works 092-140. Feb 2010. - exhibition catalogue |
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2009 |
Andrés Fredes. Handmade 3D. Barcelona: Index Books. 2009. pp. 78-85 - monograph |
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Paul Sloman (editor). PAPER: Tear Fold Rip Crease Cut. London: Black Dog Publishing. 2009. pp. 92-95 – monograph |
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2008 |
Chris Natrop. My Dewdrop Complex 2008. Pub. Lulu Press, Dec. 2008, 1st ed. – catalogue |
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Paper Cuts: Contemporary Works on Paper. MOCA Jacksonville – brochure |
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Uitgeverij Compres bv, Leiden NL. Pure Paper Foundation Holland Paper Biënnale, Rijwijk NL – monograph |
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2007 |
New American Paintings, Pacific Coast Edition. Dec 2007. – serial |
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Around the Pool, Museum of Fine Arts, Florida State University, Tallahassee, FL – catalogue |
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Carrie Paterson, Drawing Is A Verb, Guggenheim Gallery, Chapman U., Orange, CA – brochure |
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2006 |
Chris Natrop, Selected Projects 2006, Pub. Lulu Press, Dec. 2006, 1st ed. - catalogue |
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2005 |
New American Paintings, Pacific Coast Edition. Dec 2005. (juror: Connie Butler, MOCA LA) pgs. 3, 106-109 – serial |
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Chris Natrop: Intricacies of Perception, Work 2003-2005, Pub. Lulu Press, Nov. 2005, 1st ed. – catalogue |
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Susan Joyce, Tripping The Light Fantastic, Nov 7, 2005 – catalogue essay |
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